When and why did you start writing music at Speke?
When I was 16 or 15 years, I came across a collection
TechnoTraks, the plug my friend wrote in the case of sound
recordings. Gradually I became peeling off from the Soviet rock
and move to a more imaginative things at the time - techno,
rave, trance, a then Goa. Since tehnovoy music has a tendency
to simplicity I wanted to to do something similar myself. By
the time I hoisted Ahima on the rave and was sometimes able to
access its 48 spectrum and very a powerful program, wham! Achim
then got into the army and later some time after I was
approached by a neighbor of the house front and offered me 128
pentagon for 300 rubles. I had bought it 250rub + b / w
monitor, so I began to use pt 2.4 pt and then 3. And by the
time I kind of accidentally released on the CPU and attach
Achim already served by the organization thereof. But that is
another story ...
Surely you gained experience by studying the works of other,
more experienced and well-known authors. Who has influenced
musicians from spekovskih your music at the time and whom you
can call your own teacher?
Yes, I gained experience from people like Never, Miguel, dj
Cont, Fatal Snipe, Ahim. But to call yourself a disciple can
not, as someone to a teacher.
Your first music editor.
Miguel. He took away something of my tracks for the adv.
Now what do you think about his musical past, which
important milestones in his career, can you mention?
I am always with some degree of horror I look at their past
tvoeniya and I understand that in the future I will be
horrified at segodneshnie case. But in principle I like pleased
that my case once were see other people apart from those around
me.
Do you think you've got fans, and especially that they love to
your music? What would you like to say to them?
I doubt very much, but if there is someone answer me, me it
will be nice and moral support.
What musical instruments do you use (if there is such)
in the process of melody creation? Do you have experience in
other platforms, and what do you think about this?
Nothing except the RND-mentalnogo method.
You're self-critical? What is your weakest point - the rhythm,
melody, arrangement, etc.?
Actually, I have to learn diligence, patience and
self-organization.
What music do you listen to? what teams / projects affected
Your approach to writing music, what moods and feelings you
trying to convey through music? What do you think about remixes?
At this point in my taste prevails Goa Psyshedelic
Trance, then other tehnovye direction, ambient, drones.
On which party you attended, what place was the highest and
what do you think about all this?
I do not remember everything, but some of bourgeois climbed
right up to 6 places. And I take this with a certain amount of
irony and I always wants to break the conventions of beauty,
excite, to show that There is something else in AY music,
powerful and deep.
What do you feel when your track plays to the party? Excites you
sound equipment used, or the voting public is all that
not important?
I have not yet traveled to any party outside the Rybinsk and
can not to say definitely. But I'm going to fix this annoying
omission. And on the expense of the rest I'm a sober audience,
and against emulators sound.
Do you have any interesting ideas about the future
spekovskoy music? May have some ideas about
hardware or software that could give new impetus or bring
new paint in the process of writing music?
I would like to see a merger beep and AY sound matching
Editor and death Pt 3.xx ybivayuschego long tracks.
What for you is now the most interesting - to improve in
technique, being within a certain style, direction or
same experiment with sounds and different approaches to the
writing songs?
I have not asked this question, for me it merged things, they
too interconnected, to talk about them separately.
What unrealized ideas do you have? Maybe you would like to
write the soundtrack for the game, or even try Deme
something, something never tried before, which would require
new forces and new uses of your talent
What do you think about the co-kompozirovanii? I wonder whether
this you? Name the three most interesting to you today
authors.
Positive. But co-creation only when necessary.
When a lack of ideas, or fame, or should be done very
incomprehensible to you on top of things.
Say a few words to novice musicians.
Who would have told me ...
