ACNews #14 31 декабря 2002

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Music - Nik-O said in my Mouzon no echo. I asked him to explain what it is?

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Nik-O once said in my absence Mouzon echo;). I asked him to 
explain what it is? Here's what happened:



__EHO ... echo ... heh;)
__n1k-o> bogee 22.dek.o2

in fact, nothing complicated, it is necessary the most 
beautiful sound repeat again and again ... :) [Alco, I said;)]


>>> Start with how to write is not necessary:)
>> Even then, how do I know! :)
>;))))))

but some 'rules hroshego sound' still is;), for example,
the last sound in a melody often just fades by itself, I myself
So wrote the time, but when he realized the idea of ​​echo 
effects a little deeper, become in many ways 'decorate' it 
fading, Of course, if any, to the place in this Mouzon. But the 
whole difficulty is that in each case, is not suitable

every echo reception, I get it at a subconscious
level:) take into account the speed of the composition, of 
course style and even the previous echo-effects, ie if you 
really started from echo in one way (for example, picking a 
loud sound (F), then a little quiet the same note or the 
previous one (6) then a little quieter than the same loud sound 
(C), etc. (By the way, my favorite way, I wonder whether it is 
my?), then mix with other ways is not worth it, because 
normally under it are adjusted drums, bass, etc. But it is not 
right at all, such rules do not, Conversely, something new will 
happen as time of mixing all these methods, techniques .... 
[Unknown smallness:) it seems that I have began to write the 
article:)] 

and now especially for alco: 'all, I made these examples, now
_dolzhen_ you start using them! " ;)

the same and other examples can be found in pt3 module, which
is somewhere in the application.


 tempo 3

 0 C-4 1F.F example '1 +1'
 1 ... ....
 2 E-4 ....
 3 ... ....
 4 G-4 ....
 5 ... ....
 6 C-5 ....
 7 ... ....


 0 C-4 1F.F
 1 ... .. A> I sometimes do not put here, A, leave it sound 
like F,  2 E-4 ... F so expressive get the third row.

 3 C-4 ... A
 4 G-4 ... F
 5 E-4 ... A classic, with how it all started:)
 6 C-5 ... F
 7 G-4 ... A


 0 C-4 1F.F nice reception, one of the favorite:)
 1 ... .... but in this form, I have rarely seen.
 2 E-4 .... typically in this scenario is repeated 
interpretation 2 notes  3 ... .... 3 or 5, ie if there is a 
place for them to repeat 4 G-4 .... of, but in this charming 
AY:)  5 ... ....

 6 C-5 ....
 7 ... ....
 8 C-4 ... A
 9 ... ....
10 E-4 ....
11 ... ....
12 G-4 ....
13 ... ....
14 C-5 ....
15 ... ....


 0 C-4 1F.F nothing has changed, the sound was repeated again:]
 1 ... .... only slightly changed technique.
 2 E-4 ....
 3 ... ....
 4 ... ....
 5 ... ....
 6 C-4 ... A
 7 ... ....
 8 E-4 ... F
 9 ... ....
10 G-4 ....
11 ... ....
12 ... ....
13 ... ....
14 E-4 ... A
15 ... ....
16 G-4 ... F
17 ... ....
18 C-5 ....
19 ... ....
20 ... ....
21 ... ....
22 G-4 ... A
23 ... ....


 0 C-4 1F.F foodies will understand me:)
 1 ... .... echo sound on one line lower.
 2 ... ... A (here still trill can be inserted;)
 3 E-4 ... F
 4 ... ....
 5 C-4 ... A
 6 G-4 ... F
 7 ... ....
 8 E-4 ... A
 9 C-5 ... F
10 ... ....
11 G-4 ... A


 0 C-4 1F.F 'burn-burn! ..' ;)
 1 ... .... can be 'out of nothing' easy to do a jazz tune.
 2 ... ....
 3 ... ... A [alco, who I was then, as I now smot 4 ... .... 
Ret eyes megus'a, justinas'a and other jazz 5 E-4 ... F 
monsters? them because now the current retirement ... ;)]  6 
... ....  7 ... ....

 8 C-4 ... A
 9 ... ....
10 G-4 ... F
11 ... ....
12 ... ....
13 E-4 ... A
14 ... ....
15 C-5 ... F
16 ... ....
17 ... ....
18 G-4 ... A
19 ... ....

- A little explanation: if the note is worth a volume 'A', then
somewhere above is a similar note with loudness 'F':))

Thus, it suffices to deal with the classical techniques,
to come up with a bunch of their own.